Tuesday, 6 November 2012

Artist Caitlin Smail


PAPER NAUTILUS
CAITLIN SMAIL
Caitlin's current perspective centres on art
 as a therapeutic outlet for traumatic and
 repressed memories of events and situations
 in the past. Using a wide range of media
 and combining some of the products of these
 differing media and techniques, I experiment
 with ways to give voice to the subconscious

Caitlin transforms the former scientific production space into a forest of dreams

A traveller exploring the forest of dreams




Artist Fiona Long


PAPER NAUTILUS
FIONA LONG
Long’s “Concrete Poetry” series is an exploration of how it feels to live in the city. These chaotic images investigate the fast-paced lives we lead both visually and almost viscerally. An archaeological approach to painting shows the contrasts of the impact that both people and nature have on the manmade structures we are surrounded by. The Eastern aesthetic of the beauty of transience is contemplated to interpret the ever-changing urban landscape. A fascination with material is coupled with areas of representation using personal street photography and collages from free London newspapers as source material.

Fiona's concrete painting seemingly commenting on the house



Leading the way up the stairs

Monday, 5 November 2012

Artist Lucille Dweck


PAPER NAUTILUS
LUCILLE DWECK

Lucille Dweck is an artist that specialises
in painting water, seascapes and portraits

Installtion view in the former Nautilus Press





The dramatic swimmer plunges to the deep.




Artist Angela Jones


PAPER NAUTILUS
ANGELA JONES

I am interested in the stories that objects tell about the lives and values of people. My fascination with crocheted doilies springs from this. Their patterns have a symmetry which seems to suggest order and that everything is just right. Is this view a little sugar coated?
Angela's delicate doilles casting dramatic shadows



Artist Nikki Williams


PAPER NAUTILUS
NIKKI WILLIAMS


Colour is the most exciting aspect of glass making, allowing the vibrancy and transparency of the colours to shine, all our pieces are bright and full of glorious colour, including dichrioic flashes, silver and gold.


View from the hall


The beautiful blue glass, like an explosion in the room of collapse



Saturday, 3 November 2012

Artist Alex March


PAPER NAUTILUS
ALEX MARCH
My research and studio practice reflects an ongoing investigation of the domestic archive as everyday portrait and place for identification and the formation of identity, and explores in particular the image/object relationship of the family photograph.
The exploration of the family photographic archive elevates the humble yet treasured origins of family history ephemera to status of artwork. Through their exploration the audience is able to both identify with the archetype: for everyone has seen, or owns pictures like these; and empathise with the clichéd impulse to relive remembered moments; but also to embrace notions of identity as formed by experience.
Trace II (Other people's Memories)

Trace I and III
Large drawings in pencil based on found studio photography

Artist Alistair Lambert


PAPER NAUTILUS
ALISTAIR LAMBERT
Alistair has twenty years experience enabling creative collaborations in schools, public spaces and institiutions. Working with a range of materials and processes in new and ambitious ways develops skills and builds confidence in participants. His imaginative approach breaks down barriers and engages those who may otherwise be hard to reach.


Cathedral/ Party Room (view 1)

Cathedral/ Party Room (view 2)


Cathedral/ Party Room (view 3)